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Ella Fitzgerald was early in her historic run on Norman Granz’s Verve label when she was paired up with the great Louis Armstrong in the summer of 1956 for Ella and Louis. Their Porgy & Bess album followed soon after, as did Ella and Louis Again (all of it collected on The Complete Ella and Louis on Verve). The alchemy between the two giants is a marvel in the annals of American song. They take a simple approach that essentially can’t go wrong: beautiful expressive standards, uncluttered arrangements, virtuoso small-group backing from pianist Oscar Peterson’s working unit with bassist Ray Brown and guitarist Herb Ellis—plus Buddy Rich on drums, as exquisitely delicate as you’ll ever hear him. Taking separate choruses or harmonizing in vivacious and perfectly timed call-and-response (with Armstrong on trumpet and voice), the partners casually arrive at version after definitive version of these adored songs, pouring themselves equally into shimmering ballads (“Moonlight in Vermont,” “Stars Fell on Alabama”) and levitating midtempo swingers (“Can’t We Be Friends,” “Under a Blanket of Blue”). Fitzgerald’s masterful Armstrong impression in the last phrase of “Tenderly” captures the fun of it all. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Can't We Be Friends
Ella Fitzgerald
Isn't This a Lovely Day
Ella Fitzgerald
Moonlight in Vermont
Ella Fitzgerald
They Can't Take That Away From Me
Ella Fitzgerald
Under a Blanket of Blue
Ella Fitzgerald
Tenderly
Ella Fitzgerald
A Foggy Day
Ella Fitzgerald
Stars Fell On Alabama
Ella Fitzgerald
Cheek to Cheek
Ella Fitzgerald
The Nearness Of You
Ella Fitzgerald
April in Paris
Ella Fitzgerald