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Chance combinations, accidental themes, chaos in general—these are the musical modes that Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising." YEAR OF RECORDING 1968 RECORD LABEL Folkways Records User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.