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Eric recorded the album in his ramshackle house in upstate New York: amplifiers in the kitchen, in the hallway, bass amp in the guest bedroom, microphones up the staircase, speaker cabinets in doorways, frenetic bursts of guitar feedback exploding out of the kitchen...He's been living like this for years, since the 1980s drove him screaming from legitimate recording studios. A way of life transported from England to France, to England, back again to France, and finally to America. Eric played electric guitars and bass throughout, strummed a scratchy 3/4 size Framus Teenager acoustic (bought from an old blues singer down in Georgia) against simplistic drum loops of his own creation. Here and there he called on friends and neighbours - Brian Dewan manned a malfunctioning Wurlitzer organ and other dodgy keyboards, bringing in cheap but magnificent synthetic choirs. Jane Scarpantoni played the cello. Alexander Turnquist guested on the e-bow guitar. Eric’s wife Amy Rigby assisted on piano, banjo and vocal harmonies. Eric treated and manipulated the sounds the American musicians made as they were being recorded And so through random scrawls of guitars and loops and drones, meditations emerged on desperation (Property Shows), regret (Days Of My Life); fast food (Sysco Trucks), self-advancement (Up The Fuselage), pop fame lost and resurrected (Boy Band), firearms and civil liberties (White Bread): white bread built this land of milk and money… Other songs are autobiographical a
Several Shades Of Green
Wreckless Eric
Sysco Trucks
Wreckless Eric
White Bread
Wreckless Eric
Transitory Thing
Wreckless Eric
Days of My Life
Wreckless Eric
Boy Band
Wreckless Eric
Property Shows
Wreckless Eric
Up The Fuselage
Wreckless Eric
Space Age
Wreckless Eric
Life Eternal
Wreckless Eric
Have a Great Day
Wreckless Eric