More than a message, this second album is a fantastic prediction, that of the megalopolis shaken by a hard-hitting music, a vestige of a distant world. It is the strength of this groove that to keep the intact dance, raising almost stubbornly an arrogant enjoyment to provoke better the threatening inhumanity embodied by this portrait of cover of a postmodern character in the alarming lines, the city of tomorrow is populated with a new human race: between android and negroid. Africanization is a musical process where the afrogroove of Bantunani frees itself and asserts its identity: the work and the care of the arrangements register the aggregation of influences in the dynamics of a universal groove. The trends, the fruits of numerous artistic collaborations, oscillate between funk fusion, the afrobeat, the ragga, the hip-hop by way of the pop with, always, behind bottom, the native soukouss which comes to hammer an African presence. The sweetness of choruses allied to the mockery of guitars and mandolins brings a mesmerizing grace to the tunes. Texts, worked, subtle sometimes sophisticated.sensitive extrement.intelligents. The general tone wants free and satiric. Behind this writing, Michel Nzau's precise feather the concept of the musical trinity: " I think, I thus dance I am ". We are next to various styles and to various languages as to make the humanist message of a cosmopolitan group listen unites by the love of the harmonious melody. The musical duality illustrates